Schlagwort: Hören

EX006 Reading "How to think sonically? On the generativity of the flesh" by Holger Schulze

In this episode I read “How to think sonically: on the generativity of the flesh” by Holger Schulze. Schulze discusses the question of what it means to think sonically and what consequences must be considered for academic work on sound and sonic phenomena. But also: how must academic forms of text, writing and other forms of presentation reflect on these questions?

I originally read this text for the seminar “Writing culture – recording culture” I taught in the spring term of 2019 at the university of Bern.

Bibliography:
Schulze, Holger. 2017. How to think sonically? On the generativity of the flesh. In: Sonic thinking: a media philosophical approach, ed. by Berns Herzogenrath, 217–242. Thinking media. New York: Bloomsbury Academic, an imprint of Bloomsbury Publishing, Inc.

EX004 Reading "Sonic compositions" by Daniel Makagon and Mark Neumann

In this episode I read Chapter 2: “Sonic compositions” from the book Recording culture by Daniel Makagon and Mark Neumann. This book can be understood as one of the most important reflections on the increasingly popular methods in ethnographic field work using recording technology. Besides this it is exceptionally well written. The second chapter discusses some genres and formats of academic but mostly non-academic audio works (soundscapes, soundwalks and sonic maps, radio diaries and audio essays, audio documentaries) and their relevance and possibilities as genres of academic discourse.

I originally read this text for the seminar “Writing culture – recording culture” I taught in the spring term of 2019 at the university of Bern.

Bibliography:
Makagon, Daniel und Mark Neumann. 2009. Recording culture: audio documentary and the ethnographic experience. Los Angeles: SAGE.

EX003 Reading "Writing Culture - Recording Culture" by Daniel Makagon and Mark Neumann

In this episode I read Chapter 1: “Writing Culture – Recording Culture” from the book “Recording culture” by Daniel Makagon and Mark Neumann. This book can be understood as one of the most important reflections on the increasingly popular methods in ethnographic field work using recording technology. Besides this it is exceptionally well written. The first chapter sheds some light on the context of the so-called “writing culture debate” as a context for equally important reflexions of recording practices as method and means of the study of culture.

I originally read this text for the seminar “Writing culture – recording culture” I taught in the spring term of 2019 at the university of Bern.

Bibliography:
Makagon, Daniel und Mark Neumann. 2009. Recording culture: audio documentary and the ethnographic experience. Los Angeles: SAGE.